Enheduanna

Ironically enough the first known poet was a woman.

Her name is Enheduanna, the Sumerian daughter of Sargon the great.

Scholar Paul Kriwaczek writes:

Her compositions, though only rediscovered in modern times, remained models of petitionary prayer for [centuries]. Through the Babylonians, they influenced and inspired the prayers and psalms of the Hebrew Bible and the Homeric hymns of Greece. Through them, faint echoes of Enheduanna, the first named literary author in history, can even be heard in the hymnody of the early Christian church. (121) 

Enheduanna’s name translates as 'High Priestess of An’ (the sky god) or 'En-Priestess, wife of the god Nanna'. She organized and presided over the city's temple complex, and successfully defended against an attempted coup by a Sumerian rebel named Lugal-Ane who forced her into exile. She writes about this event as a plea for help to the goddess Inanna.

According to Ancient History Encyclopedia:

"She is best known for her works Inninsagurra, Ninmesarra, and Inninmehusa, which translate as 'The Great-Hearted Mistress’, The Exaltation of Inanna’, and 'Goddess of the Fearsome Powers’, all three powerful hymns to the goddess Inanna (later identified with Ishtar and, still later, Aphrodite). These hymns re-defined the gods for the people of the Akkadian Empire under Sargon’s rule and helped provide the underlying religious homogeniety sought by the king. For over forty years Enheduanna held the office of high priestess, even surviving the attempted coup against her authority by Lugal-Ane.

In addition to her hymns, Enheduanna is remembered for the forty-two poems she wrote reflecting personal frustrations and hopes, religious devotion, her response to war, and feelings about the world she lived in. Her writing is very personal and direct and, as the historian Stephen Bertman notes:

The hymns provide us with the names of the major divinities the Mesopotamians worshipped and tell us where their chief temples were located [but] it is the prayers that teach us about humanity, for in prayers we encounter the hopes and fears of everyday mortal life. (172) "

Some examples of hymns (from The Mezzo Cammin Women Poets Timeline Project):

"mistress of the scheme of order
great Queen of queens
babe of a holy womb
greater than mother who bore you
You all knowing
You wise vision
Lady of all lands
life-giver for the many
faithful Goddess
worthy of powers
to sing your praise is exalted

You of the bountiful heart
You of the radiant heart
I will sing of your cosmic powers

***
truly for your gain
you drew me toward
my holy quarters
I
the High Priestess
I
Enheduanna

there I raised the ritual basket
there I sang the shout of joy"

Dorsch/Zgoll excerpt from www.angelfire.com (with line numbers): "Shall be known"
122. It shall be known, it shall be known:
Nanna has proclaimed no decree,
"It is yours" is what he has said!

123. That you are as high as heaven, shall be known!

124. That you are as wide as the earth, shall be known!

125. That you anhilate [sic] rebelling territiories [sic], shall be known! [footnote removed]

125a. That you roar against the enemy lands, shall be known!

126. That you crush the leaders, shall be known!

127. That you devour corpses like a predator, shall be known!

128. That your glance is terrible, shall be known!

129. That you raise your terrible glance, shall be known!

130. That your glance is sparkling, shall be known!

131. That you are unshakable and unyielding, shall be known!

132. That you always stand triumphant, shall be known!

133. That Nanna has not proclaimed (the decree),
that he has said, "It is yours",

134. My Queen- it has made you greater,
you have become the greatest!

135. My Queen, beloved of An,
I will announce all of your wrath!

 

For more info check out:

https://www.ancient.eu/Enheduanna/

http://www.mezzocammin.com/timeline/timeline.php?vol=timeline&iss=BCE&cat=2200&page=enheduanna

Rituals

The following is from a paper I wrote a few years back regarding daily rituals and beliefs of Ancient Egyptians. Much of my artwork delves into the concepts behind beliefs and myths from various cultures around the world, the similarities they share, questions why and how it relates to today. Rituals and beliefs are often made to explain the world around us and to affect it with our will. They offer a sense of stability in chaos, a comfort and sense of control. They take many different forms over distance and time, but share many basic qualities. These similarities may help to unite us and may have some clues as to what it is to be human.

Although it is difficult to get a true picture of what it was like to live in ancient Egypt, we are able to understand quite a bit about the beliefs, moral values and religious practices of the average person during that time. Excavations of towns and settlements, preserved writings and manuscripts, amulets and statues, as well as tomb walls depicting daily life are all able to explain a great deal.

One of the best preserved villages is Dier el Medina, which was a workman’s village. Many other villages have been either destroyed (such as Amarna) or built over (Memphis). Dier el Medina happened to be far enough away in the desert which was not an ideal place for most cities. Other settlements closer to the nile would be easily eroded, re-used or built over.  Most houses were made of mud brick and perishable. Dier el Medina happened to be closer to a quarry then the nile, and so much of it was built of stone. From this we are able to piece together quite a bit about the daily life from the remains. Several temples were discovered at Deir el-Medina including Hathor chapel of Seti I andAmun temple of Ramses II, and another Ptolemaic Hathor temple. (Toivari-Viitala 2011; 8-9) Many limestone pieces of ostrich have been found there, which detail all sorts of things from letters and legal documents to moral teachings and religious documents. Some of these include healing incantations to restore health, and a copy of the ‘Teachings of Amenemhat’. (Deir el-Medina ostraca in the Petrie Museum. 2002).

The homes such as those at Deir el-Medina help to reconstruct the daily religious rituals of the Egyptians through the presence of shrines, ancestor busts, amulets and other household items with religious significance.  The home was often used for religious purposes, which can be inferred from the remains found in most homes. Most families had alters in their homes and ancestor shrines in the first two rooms. There are about 150 examples of what is known as ancestor busts. They usually were about a quarter meter high with a head set on a base and sometimes decorated with a collar or a lotus. Many are made from limestone with traces of paint, although other materials have been found. Some came from the niches found in walls of the first or second rooms at Deir el-Medina. Others were found in tombs, chapels, or around the temple. Although the meaning of the busts is not 100% certain, their purpose is assumed within the context and historical tradition which has been documented since the old kingdom. The living would present offerings to their relatives who had passed and the busts would embody their spirits. Other artifacts which had been discovered include Letters to the Dead which also reaffirm the idea that the dead could impact the life of the living. (Exell 2008; 1-3)

Houses would often have a shrine in the first room with an image of a deity within a niche and in front of it a place for offerings. One common household diety was Bes, a dwarf who is thought to repel evil spirits and protect women in childbirth. He was seen on many house walls in Dier el-Medina. Bes is also seen on headrests and other household items. The image of Bes was also seen on reliefs in the form of tattoos on the thighs of dancers and musicians (Aifft 2010).

 

Rituals and spells were often used to protect the home as well as amulets for protection, such as amulets of Taweret or Sekhmet to ward of evil spirits. Texts were written such as ‘The Instructions of Ani” to ward off ghosts. If someone wanted to commune with the dead they could write a letter in ink on offering bowls and leave it at the tomb. In the ‘Tale of Petese’, known from Demotic papyri from 1st century AD, Petese meets a ghost in a tomb at Heliopolis while looking for a cure for his illness. Many other examples of the supernatural have been found in texts. Sometimes special priests would be called in known as Lector Priests, who were common characters in literature at the time. They would do things such as turn wax animals into real animals or part the seas. They had access to many spells and would try to intimidate the gods in order to achieve their aims (Shaw 2014; 159-164).

 The temple complex was the religious center of the ancient Egyptians. Most common Egyptians were not allowed to enter into the temple complex, but the king put up statues outside the temples to act as intermediaries for the people where they could leave offerings or convey messages (Shaw 2014; 143). The people also had access to chapels ‘of the hearing ear’ located on the back wall of the temples. Inside were statues of the king and gods which could be addressed. Messages to the gods were often written on linen and attached to sticks so they could be put into the walls or doors so the god inside could read them. (Shaw 2014; 144).

Outside of the temple complex many small shrines existed which were accessible to anyone. Usually they were dedicated to gods which dealt with aspects of daily life such as Hathor who was associated with love and marriage. People would often leave fertility figures for her. Different deities could be worshipped for specific purposes such as Bastet for love problems. Egyptians would give offerings to whichever god they chose to worship in exchange for their specific need or desire, such as protection, love, or healing. Some people dedicated votive stelae to certain gods, which had images of prayer and offering texts. Examples of offerings found include food, drink, small statues, linen, jewelry, vessels, or prayers.(Shaw 2014; 145). 

 

Priests could also act as intermediaries for the common Egyptians and relay the prayers and offerings to the gods. Priests could also act as oracles and give advice to the people as the gods spoke through them. Processions where statues of the gods covered in a shroud would be carried throughout the crowds. During processions a sacred barque with an image of the deity would move a certain way deciding yes or no.  In these processions everyday people were allowed to participate in the rituals and prayers, and there are examples of people arguing their case multiple times before the gods. The gods could also be contacted in dreams. Later on in Egyptian history people were allowed to sleep in a special place within the temple where the gods would come to them as they slept. One example of this was found in Saqqara on ‘The Peak’ where people would pray to Imhotep. (Shaw 2014; 147-148).

Tomb biographies, court proceedings, and wisdom texts all provide examples of Egyptian morality. In the Egyptian book of the Dead the deceased must recite ills he has not committed before the gods in order to enter the afterlife. This list helps to demonstrate what the Egyptians believed was proper behavior during life and what was not worthy of eternity.

the Maxims of Ptahhotep provide a fine window into the moral beliefs of ancient Egyptians. It is an example of written evidence which acts as a sort of moral guide. It is said to be written by the visier to his son in an attempt to teach him morality.  It often describes how best to act usually remaining quiet, listening and being non-aggressive. Sections describe how to behave in different social contexts as in when dealing with those in a superior position or a servant with his master.   It also describes positions of leadership and the importance of remaining humble and not boastful but dutiful and responsible, and outlines the importance of being fair and impartial. Many of the maxims suggest a peaceful, non-aggressive, respectful way of being. There is an emphasis on not insulting or talking down to anyone great or small, having integrity, and remaining humble.  (Tobin 2003; 129-148)

All of the evidence found helps to paint a fairly clear picture of the religious beliefs, practices, and moral values held by many Egyptians in the time of antiquity. Well preserved sites such as Deir el-Medina, temple complexes, and written records of myths, stories, spells, and incantations along with statues, amulets, and remains of offerings all help to provide evidence of a rich religious and moral culture.

 

  Shaw, G.J., 2014 The Egyptian Myths, A Guide to the Ancient Gods and Legends . Thames and Hudson, pp. 141–66.

Aifft, Amgueddfa Hynafiaethau Yr., 2010 Egypt Centre Canofan Eifftaidd. ‘Bes’. Museum of Egyptian Antiquities. http://www.egypt.swan.ac.uk/index.php/archived-event/48-bes

Exell, Karen. (2008). Ancestor Bust. UCLA Encyclopedia of Egyptology, 1(1). UCLA: Department of Near Eastern Languages and Cultures. nelc_uee_7914. Retrieved from: http://escholarship.org/uc/item/59k7832w

Toivari-Viitala, Jaana. (2011). Deir el-Medina (Development). UCLA Encyclopedia of Egyptology, 1(1). UCLA: Department of Near Eastern Languages and Cultures. nelc_uee_7982. Retrieved from: http://escholarship.org/uc/item/6kt9m29r

Deir el-Medina ostraca in the Petrie Museum. 2002. http://www.ucl.ac.uk/museums-static/digitalegypt//deirelmedine/ostracaindex.html

‘The Maxims of Ptahhotep’ translated by Vincent A. Tobin in Simpson, W.K. (2003) The Literature of Ancient Egypt: an anthology of stories, instructions, stelae, autobiographies, and poetry, Yale University Press, pp. 129-148,

judgement

Before I talk about Isis and Osiris, I want to talk a little about judgement. I find many parallels between the Egyptian beliefs and later Christian morality, among other things. There are many crossovers between cultures, and the more I look at it the more I see patterns and evolution throughout the world. The following is from a paper I wrote a few years back describing the judgement and the Egyptian afterlife.

During the New Kingdom, an evolution of images developed within the royal tombs. New compositions appear describing the realm of the dead ruled by Osiris and the journey of the sun god Ra. One scene known as ‘Imydwat’ (meaning “what is in the netherworld" in ancient Egyptian) was first displayed in the tomb of Hatshepsut from Dynasty 18. The sun god is portrayed with a ram-head on his boat along with several other deities on his nightly journey through the netherworld. Other examples from the New Kingdom are Ra’s boat being devoured by a large snake and then re-emerging again at dawn as a scarab beetle as well as the resurrection of Osiris, the reborn sun emerging from the waters of chaos, and other depictions of the netherworld (Theban Mapping Project 2003: 2). The underworld was often depicted as a treacherous place, filled with demons and dangers to be overcome. The deceased was expected to traverse this landscape with the help of spells included in the Book of the Dead which became more widely accessible during the New Kingdom.

            Unique to the New Kingdom royal tombs was the depiction of the judgement after death or ‘negative confession’. Because the completed process did not appear prior to the New Kingdom (specifically the Book of the Dead Spell 125 where the dead person claims their innocence before the gods), one could assume that the ideas involving the judgement after death were not fully developed until that time, although pyramid and coffin texts may have alluded to an earlier concept. (Stadler 2008: 1)

            The judgement after death had several variations throughout time and location, but the essence remained the same. A typical example shows the dead person brought to the hall of judgement by Anubis and a scale with the feather of Maat on one side and the deceased heart on the other. Nearby would be a part lion, crocodile, hippo creature who would devour the deadif their heart was heavier than the feather. Also Thoth, who recorded the proceedings, and Osiris acting as chief judge. An additional 42 judges represented the 42 negative confessions where the deceased would deny doing wrong hood. (Stadler 2008: 2)

            Kings were expected to assist the sun god in overcoming chaos and defending Maat during their life as well as after their death. The depictions of the sun god’s journey in the tombs along with the judgement scene are meant to guide the king or pharaoh after death as well as reinforce the king’s roles in defending order. The Hall of Judgement, with its negative confessions, exemplify qualities the king was expected to embody in order to join the gods in the afterlife. Punishment for false statements by the dead person was embodied by the frightening devourer of souls. These depictions aided in conveying moral standards.

            The tomb decorations show us that the king’s afterlife was meant to be lived in service of Maat and upholding order alongside the gods. The King was believed to embody Horus in life,  and Osiris after death completing the cycle of death and rebirth. The King was to join the gods and uphold order and truth as they are displayed on the tomb walls as well as mirrored in nature.

Works Cited

Stadler, Martin. (2008). Judgment after Death (Negative Confession). UCLA Encyclopedia of Egyptology, 1(1). UCLA: Department of Near Eastern Languages and Cultures. nelc_uee_7905. Retrieved from: https://escholarship.org/uc/item/07s1t6kj

Funerary Compositions: New Kingdom Books of the Netherworld. (2003). Theban Mapping Project. pp 1-2. 5/17/2016. www.

http://www.thebanmappingproject.com/articles/article_5.1.html

Kore

The myth of Persephone has always struck a cord with me. I don't know if I was drawn to the tragedy or the darkness or the classic story of loss of innocence. The myth itself is often repeated in some form in many different cultures, but the one I am most familiar with is the Greek myth. As I remember it Persephone (a maiden flower goddess) is the daughter of Demeter (the goddess of the harvest) and is out picking flowers with her maidens when one day Hades (god of the underworld) abducts her (aka rapes her) and takes her to the underworld to be his queen. Demeter is so upset by this she goes to Zeus (the king of the gods) to plead with him. He says there is nothing he can do it is out of his jurisdiction. She in return refuses to let anything grow until her daughter is returned to her. Zeus then has no choice but to appeal to Hades and demand Persephone's return. Persephone while in the underworld refused to eat anything, but finally after being convinced by Hades, ate a few pomegranate seeds. Because she ate the food of the dead she then could not leave the underworld forever but spends half the year with her mother and the other half in the underworld with Hades her husband.

There is also a much older Sumerian underworld myth revolving around the goddess Ishtar. This story involves her going to the underworld in order to save her lover Tammuz. She must go through 7 gateways each one removing a layer of clothing. Finally she meets her sister Ereshkigal (Irkalla?) who curses her with a plague and covers her in mud and feathers. While Ishtar (who is the goddess of love and fertility) is in the underworld, all fertility stops and the father of the gods and goddesses sends a sexless creature to free Ishtar. Ishtar receives the water of life and returns.

I am not sure about how accurate this version is, there may be other versions but the journey to the underworld and back is a common motif in many myths and legends. I wonder if there is a connection to the dance of the 7 veils attributed to Salome, and if maybe the story of Salome is a form of retelling an older myth. It also reminds me of Orpheus and Eurydice, a Greek underworld myth where Orpheus goes to the underworld to bring back his wife Eurydice who died having fallen into a pit of vipers. Because of his beautiful music he is able to convinceHades and Persephone to allow him safe passage back with Eurydice, on the condition that he not look back for any reason. But of course as all great tragedies go, at the last minute he hears something or feels something and turns around just to lose her forever.

The Osiris and Isis is another underworld story, and one that inspired many other stories that go on today. That may be for another day though.

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ouroboros

"Life is a flat circle", "what goes around comes around". They say in wikipedia that the Ouroboros originated in ancient Egypt. The word itself is Greek, meaning "Tail devourer". The snake is a common symbol in many mythologies around the world, often connected with rebirth and the cyclical nature of life. Many cultures share the idea of the journey to the underworld and back. Greek myths revolving around Persephone and Demeter (which help explain the seasons), the Egyptian Osiris myth, the Sumerian Ishtar, to name a few.

According to Carl Jung :

"The alchemists, who in their own way knew more about the nature of the individuation process than we moderns do, expressed this paradox through the symbol of the Ouroboros, the snake that eats its own tail. The Ouroboros has been said to have a meaning of infinity or wholeness. In the age-old image of the Ouroboros lies the thought of devouring oneself and turning oneself into a circulatory process, for it was clear to the more astute alchemists that the prima materia of the art was man himself. The Ouroboros is a dramatic symbol for the integration and assimilation of the opposite, i.e. of the shadow. This 'feed-back' process is at the same time a symbol of immortality, since it is said of the Ouroboros that he slays himself and brings himself to life, fertilizes himself and gives birth to himself. He symbolizes the One, who proceeds from the clash of opposites, and he therefore constitutes the secret of the prima materia which [...] unquestionably stems from man's unconscious."

In Flusser's "Towards a Philosophy of Photography" the idea of time became linear only after the advent of writing and record keeping. Initially our perceptions may have been circular, in viewing the rise and fall of the sun and the changing of the seasons. Life and death could be seen as circular as well. Perhaps linear thinking itself is just as much in the mind's eye as magical thinking.

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